When a Workprint is the Only Print

This post was written by Criss Kovac. Criss Kovac is the supervisor of the Motion Picture Preservation Lab at the National Archives and Records Administration (NARA). It’s not uncommon for NARA to receive less-than-perfect material for films created by federal agencies. One of the types of elements we sometimes receive is called a workprint. Workprints … Continue reading When a Workprint is the Only Print