This post was written with Heidi Holmstrom. In the past year, staff in the motion picture preservation lab handled millions of feet of film. Films might come to us for inspection and repair, photochemical duplication, or digitization. To continue an annual tradition, we’ve identified a handful of films that were digitized in 2017 and found their … Continue reading Favorite Film Finds of 2017
This is the second installment in our series about the United States Information Agency’s Young Film Maker Bicentennial Grant Films. In the previous post, we told you about the program and featured a trippy animated short. Today we have Sharon and Thomas Hudgins’ film Homespun and Stephen Rivkin’s Winter Count, both completed in 1975. Homespun When … Continue reading Celebrating the Bicentennial: Crafting the Old Ways
The United States’ Bicentennial celebration was huge. America’s 200th birthday saturated popular culture in the mid-1970s, with Bicentennial-themed products and media. In addition, years of planning by the American Revolution Bicentennial Administration culminated in a year of more formal events put on by the United States government. Many federal agencies hopped on the Bicentennial bandwagon, … Continue reading Celebrating America: The USIA Young Filmmaker Bicentennial Grant Project
This post was written with Heidi Holmstrom. In the past year, staff in the motion picture preservation lab handled millions of feet of film. Films might come to us for inspection and repair, photochemical duplication, or digitization. To follow up last year’s list, we’ve identified a handful of films that were digitized in 2016 and … Continue reading Favorite Film Finds of 2016
This post was written by Criss Kovac. Criss Kovac is the supervisor of the Motion Picture Preservation Lab at the National Archives and Records Administration (NARA). It’s not uncommon for NARA to receive less-than-perfect material for films created by federal agencies. One of the types of elements we sometimes receive is called a workprint. Workprints … Continue reading When a Workprint is the Only Print
This week we're happy to welcome guest blogger Brian Real to The Unwritten Record. Brian recently received his PhD in Information Studies from the University of Maryland. Brian regularly visits the research room in College Park so we're used to seeing his name on order sheets for reference requests. We asked him to tell us more about … Continue reading The True Story of a Blind Electrician: “Born a Man” as a Document of Disability Rights
This post was written by Criss Kovac. Criss is the supervisor of the National Archives Motion Picture Preservation Lab. I’m fortunate that my job allows me to make a difference every day. Most days it’s because I’ve preserved a piece of history, made something accessible for research, or contributed to the archival community. It’s rare, however, … Continue reading Wealth Comes in Many Forms: William Greaves’ USIA Films
In 1973 the U.S. Agency for International Development (USAID) transferred to the National Archives approximately 31,000 negatives and corresponding prints created by the Economic Cooperation Administration (ECA) and its successor, the Mutual Security Agency (MSA), to document economic recovery in Western Europe after World War II under the Marshall Plan. After processing, this accession became … Continue reading Photographs Relating to the Marshall Plan and Post-WWII Economic Recovery in France
This post was written by Criss Kovac. Criss is the supervisor of the National Archives Motion Picture Preservation Lab. The Restoration Nine From Little Rock (Local Identifier: 306.5160) was commissioned by George Stevens, Jr., head of the United States Information Agency (USIA), and directed by Charles Guggenheim. The film won the Academy Award for Best Documentary … Continue reading Restoring Nine from Little Rock
Let’s suppose you have a child, and that child loves puppet shows. You might decide to introduce your child to The Muppets Take Manhattan or the Thunderbirds television series. Or, you could introduce them to something much darker: a 1952 United States Information Agency (USIA) production titled Tomas and the Huks. Marionettes were fairly popular … Continue reading With Strings Attached: Rice, Murder, and Awkward Communist Puppets
