Youth Visits Our Nation’s Capital: A Glimpse of Spring 1939 in Washington, D.C.

Last July, while completing a training rotation in the Motion Picture Preservation Lab, I was tasked with inspecting the condition of film. Inspections are a basic operation the lab performs to ensure film holdings are properly handled and maintained. After spending most of my time with black and white film, I was excited when asked to inspect color footage.  A shot of Mount Vernon immediately caught my attention followed by the Washington Monument surrounded by cherry blossoms. I wanted to know more about the film, its subject matter and purpose. So, making note of the film’s identifying number, I set out to locate its production file.

FullSizeRenderWashington Monument and Cherry Blossoms, seen in frames of motion picture film through a film loupe

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Shooting World War I: The History of the Army Signal Corps Cameramen, 1917-1918

For the past two years, the National Archives Motion Picture Preservation Lab has been digitizing a series of Army Signal Corps films as part of a larger project to commemorate the centennial of World War I. Meanwhile, technicians from the Still Pictures Branch and the Digitization Division have scanned tens of thousands of Signal Corps photographs from World War I. Along the way, technician P.T. Corrigan, who performs quality control on the scanned images, forwarded photos of the cameramen to Lab staff, knowing that we love to see records of the people who shot the motion picture films we work with every day.

The following images are from a group of 22 photos documenting the Signal Corps School of Photography at Columbia University in New York. These photos, along with the rest of the series American Unofficial Collection of World War I Photographs, 1917-1918, are available in our online catalog.

I recently had a look at the finding aid for the Signal Corps’ “Historical Series” and found a short history of the World War I Signal Corps photographers. The history and finding aid were written by archivist K. Jack Bauer in 1957. Bauer later became a professor at Rensselaer Polytechnic Institute and wrote many books, including histories of the Mexican War and a biography of Zachary Taylor.

The introduction to the finding aid contains a wealth of information about how the Signal Corps Photographic Section was established and how the unit operated. From Bauer’s finding aid:

“Before World War I, the Signal Corps had given relatively little attention to photography, and few officers or enlisted men had much training in that specialized field. On July 21, 1917, the Signal Corps was designated the bureau responsible for obtaining photographic coverage of American participation in World War I. The photographic coverage was ordered for propaganda, scientific, identification, and military reconnaissance purposes but primarily for the production of a pictorial history of the war.

During July 1917 the Photographic Section was established within the Signal Corps to control all photographic activities of the Army. Although initially short of trained men and cameras, the Photographic Section succeeded in building up a large and efficient organization before the Armistice.

A photographic officer accompanied General Pershing to Europe in order to study the methods and equipment of the photographic departments of the Allied Armies. On July 21, 1917, a laboratory was secured at St. Ouen in Paris for developing and printing motion and still pictures. This laboratory served until February 1918, when photographic operations were transferred to larger quarters in Vincennes.

Beginning with 25 men in August 1917, the Photographic Section attached to the AEF [American Expeditionary Forces] reached a strength of 92 officers and 498 men in November 1918. A photographic unit consisting of one motion-picture cameraman and one still-picture photographer, with assistants, was assigned to each division in addition to other units attached to higher organizations, the Services of Supply, the sea transport service, and the various public welfare organizations like the Red Cross and the Salvation Army. Cameramen in the AEF shot 589,197 feet of film, while film units in the United States filmed 277,173 feet of domestic scenes. In addition, the Signal Corps produced a 62,000 foot training film series called “Training of the Soldier” and a 16,000 foot aviation training film entitled “Flightwings.”

Bauer also included a detailed account of how scenes shot by the cameramen were identified, tracked, and described. Ultimately, the film scenes were re-edited to create the “Historical Series” that we know today as 111-H. Until recently, finding a particular scene was a complicated task that required two “crosswalks” to obtain the film’s item number (archivist Richard Green described this process in the 2013 blog post “Finding a Finding Aid”). However, technicians in the motion picture unit have recently completed scanning and uploading text-searchable images of the Signal Corps’ production files for the 111-H series, so all of the films are easily searchable using the National Archives’ online catalog!

Searching for photos of the Akeley camera used by the Signal Corps photographers is what led me to discover this wonderful document, “Instructions for Signal Corps Photographers,” attached to the production file for 111-H-1199. In addition to general advice about taking close-ups and providing detailed descriptions, the guide has more specific instructions, such as warning that “in the moist climate of France,” Xback, a film stock with an anti-static coating, “sticks on the pressure plate and particles may get on the aperture plate causing scratches.” The document also includes details about the proper size of a film loop in the Akeley camera, and how to shoot film from airplanes.

111-h-1199-012-sFinally, below are a few photos from the series technicians are currently scanning. Doubtless, as we continue to scan the films and photographs of World War I, we will uncover more wonderful tidbits of the history of the Signal Corps cameramen. I look forward to finding it all!

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Spotlight: Women Doing Awesome Things

The first presidential statement observing women’s history was issued by President Jimmy Carter in 1980, who declared March 2-8 as National Women’s History Week. Carter’s official acknowledgment of Women’s History Week was monumental given that it grew out of one local celebration in Santa Rosa, California. The following year, Public Law No. 97-28 was passed, which authorized and requested the President to proclaim the week beginning March 7, 1982 as Women’s History Week. By 1987, a group named the National Women’s History Project successfully petitioned Congress to designate the entire month of March as “Women’s History Month.” Since then, as a celebration of the contributions that women have made to the United States, each president has issued an annual proclamation declaring March as Women’s History Month.

In honor and celebration of Women’s History Month, as well as International Women’s Day (March 8th), the Still Picture Branch presents: Women Doing Awesome Things.

Record Group 237, Series G (237-G): Records of the Federal Aviation Administration; General Photograph File.

237-G-141-035 (Ruth Law)

Ruth Law Oliver in a Headless Curtiss. In 1916, Ruth Law had flown further than anyone in the United States. Law was also the first woman to fly at night and in 1919 she had the honor of carrying the first official air mail to the Philippine Islands. No date. (Local ID: 237-G-141-035)

Record Group 165, Series WW (165-WW): Records of the War Department General and Special Staffs; American Unofficial Collection of World War I Photographs, 1917 – 1918. These images have been digitized and are available in the NARA catalog.

Record Group 4, Series G (4-G): Records of the U.S. Food Administration, Photographs of Food Conservation Activities, 1917 – 1919

Record Group 16, Series G (16-G): Records of the Office of the Secretary of Agriculture; Historical File of the Office of Information, Department of Agriculture, 1900 – 1959

Record Group 171, Series OCD (171-OCD): Records of the Office of Civilian Defense; Defense Practices of the Office of Civil Defense, 1942 – 1943

Record Group 174, Series G (174-G): General Records of the Department of Labor; Photographic Prints of Occupations, Labor Activities, and Personalities, 1940 – 1970

Record Group 65, Series QT (65-QT)Records of the Federal Bureau of Investigation; Photographs Related to the FBI Academy, Quantico, Virginia, ca. 1950 – ca. 1980

Record Group 255, Series GRC (255-GRC): Records of the National Aeronautics and Space Administration; Photographs Relating to Agency Activities, Facilities and Personnel, 1973 – 2013. This series is digitized and available in the NARA online catalog.

Record Group 330, Series CFD (330-CFD): Records of the Office of the Secretary of Defense; Combined Military Service Digital Photographic Files, 1982 – 2007.  This series is digitized and available in the NARA online catalog.

Check out some of our previous blog posts dedicated to women’s history!

The Women of World War I in Photographs

The Women of World War I in Motion

The Indian School for Practical Nursing

Hidden Women: The Art of WWI Camouflage (Photos)

Sally Ride and the Women of NASA

Cracking the Glass Ceiling: Margaret Chase Smith and Shirley Chisholm

Spotlight on Veterans: Navy Women in Parachute Rigger Training

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Happy 145th Birthday, Yellowstone National Park!

This blog post was co-authored by Aaron Arthur

On March 1, 1872, President Ulysses S. Grant signed the Yellowstone National Park Protection Act into law. This legislation, officially named “An Act to Set Apart a Certain Tract of Land Lying Near the Head-Waters of the Yellowstone River as a Public Park,” described 3,472 square miles of wilderness in the Montana and Wyoming territories which would be “dedicated and set apart as a public park or pleasuring-ground  for the benefit and enjoyment of the people.” The 1872 legislation also placed Yellowstone under the control of the Secretary of the Interior, who was expected to “make and publish such rules and regulations as he may deem necessary…such regulations shall provide for the preservation, from injury or spoliation, of all timber, mineral deposits, natural curiosities, or wonders within said park, and their retention in their natural condition.” With President Grant’s signature, the Federal Government simultaneously established the first national park, as well as introduced the idea of the government playing a role in preserving our natural resources.

In recognition of Yellowstone’s 145th Birthday, the Still Picture Branch has gathered photographs that document Yellowstone’s beautiful landscape and the environment. There are over 1000 images of Yellowstone available in our catalog, which you may browse through by clicking here!

Record Group 57, HS Series (57-HS): Hayden Survey, William H. Jackson, Photographs, 1869 – 1878

On June 1, 1871, Ferdinand V. Hayden began an exploratory survey of parts of the American West that included the land that is now known as Yellowstone National Park. The expedition consisted of 32 men, including the young photographer William Henry Jackson, whose stunning photos are among the earliest and most celebrated images of Yellowstone. This series of images has been digitized and is available in our online catalog.

Record Group 79, AA Series (79-AA): Ansel Adams Photographs of National Parks and Monuments, 1941 – 1942

Legendary American photographer Ansel Adams took some wonderful photographs of Yellowstone National Park in 1941-1942. The photographs were initially intended to be a part of a Department of the Interior project to commission mural sized images for its Washington, D.C. headquarters. The project was abandoned indefinitely at the start of World War II; fortunately, the images captured by Adams remain as a testament to the beauty of one of our greatest national parks. This series of photographs has been digitized and is available in the NARA catalog.

Record Group 377, C Series (377-C): Photographs from the Photographic Catalog, ca. 1962 – ca. 1969

The United States Travel Service Photographic Catalog was maintained during the 1960’s and was intended to be used for advertisements that promoted tourism.  As a result of the collection, there are many great photos within the series highlighting the wonders of Yellowstone National Park.

Record Group 412, EPD Series (412-EPD): Digital Photographs Relating to the Environment, ca. 1996 – ca. 2003

The Environmental Protection Agency (EPA) has created and maintained images for use in agency publications, web pages, reports and presentations. As such, the EPA has created many photographic documents of Yellowstone National Park. Their digital series of photos, 412-EPD, is available online and includes photographs of Yellowstone, as well as photographs of other environmental marvels.

Record Group 406, NSB Series (406-NSB): Digital Photographs Relating to America’s Byways, ca. 1995 – ca. 2013

The National Scenic Byways Program (NSBP) accumulated and maintained these images as a visual record of roads designated as National Scenic Byways or All-American Roads by the United States Department of Transportation based on archaeological, cultural, historic, natural, recreational, and scenic qualities. These photos are available in the NARA catalog


Interested in learning more about Yellowstone records at the National Archives? Check out our past blog posts!

Kodacolor Decoded: Early Color Footage of Yellowstone National Park

An Update on Kodacolor Decoded

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Polar, Planes, and Puppies: The Photos of E.J. Demas

Though the first Byrd Antarctic Expedition took place more than twenty years after the likes of Robert Falcon Scott and Ernest Shackleton, little had changed when it came to the available methods of transportation. Explorer Richard E. Byrd had large tractors to move supplies, but still relied heavily on dog sleds, skis, and schooners ships, which were used in the polar regions by generations of explorers. What Byrd had over Shackleton was the power of flight; Byrd was among the first to fly aircraft in the polar regions. This changed both the speed and safety of polar exploration and created a contrast of new and old.

This photograph appears in the 1926-1927 photo album of E.J. Demas. Original caption: City of New York under full sail. Local identifier: XEJD-DEJ-01-01-50

These collections (National Archives Identifiers:45648677 and 45648792) were donated to the Archives by E.J. Demas, who served as an airplane mechanic with Byrd from 1926-1935, as support for his 1926 North Pole flight, 1927 Trans-Atlantic flight, and the two Byrd Antarctic Expeditions from 1928-1930 and 1933-1935. Demas kept a record of the travels and hardships of the crews while on the Byrd expeditions. This material was recently transferred to the Still Picture Branch from the Textual Records Division.

E.J. Demas in front of the Floyd Bennett. Local indentifier: XEJD-DE-01-15-16

Featured below are images of the planes used, interesting photographs, and some adorable companions to the explorers.

Planes have somewhat eased the burden for those who choose to explore the coldest regions of the Earth. However, for those who choose to admire from afar, planes give scale while taking none of the beauty away from these places.


Original Caption: Admiral Byrd’s flagship City of New York docked at the bay ice in the Bay of Whales. Local identifier: XEJD-DE-02-02-01

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Recently Opened Series: German World War II Maps

One of the most interesting ways of seeing World War II military operations from the point of view of the Axis powers is by looking in the National Archives’ materials held in Record Group 242: National Archives Collection of Foreign Records Seized. This record group includes documents, films, photographs and maps that were seized from the Axis powers during or after the war, among other seized records. In the Cartographic branch, we have some of the original maps that were captured from Germany, including two new recently opened series.

One of the newly opened series is German Situation Maps of the Western Front, 1944-1945 (NAID 40432392). This series contains German maps that display the locations of the Allied armies at different times in 1944 and 1945. The maps include information on various Allied unit locations and the situations the Axis armies were facing at that time. They also give insight into how the Germans organized and displayed their military operational information. It is interesting to see, for example, that the Germans sometimes used the label of “Gen. Eisenhower” on their maps to denote the location of the Allies. Many of the maps also include a breakdown of the army units in the field.


RG 242: German Situation Maps of the Western Front, 11/9/1944


RG 242: German Situation Maps of the Western Front, 12/7/1944

The other recently processed series is Various German World War II Maps, 1939-1945 (NAID 40480105). This series consists of a wide range of maps used by the German army throughout the war. Some of the maps have handwritten notes, army locations and situations while others are general maps of certain areas. A few of the maps offer a window into situations during specific times while others provide a broad overview of the war.


RG 242: Various German World War II Maps, #5, Eastern Europe, 7/1941

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Fractured Ideals: Japanese American Internment through a Government Lens

America stands unique in the world: the only country not founded on race but on a way, an ideal. Not in spite of but because of our polyglot background, we have had all the strength in the world. That is the American way.

President Ronald Reagan
December 1945, in honor of Kazuo Masuda and
August 10, 1988, at the signing of The Civil Liberties Act of 1988

Americanism . . . loses much of its meaning in the confines of a Relocation Center.

A Challenge to Democracy (1943)

February 19, 2017, is the 75th Anniversary of President Franklin Roosevelt’s signing of Executive Order 9066. Issued in 1942, soon after the United States’ entry into the Second World War, EO 9066 authorized the Secretary of War to designate military areas “from which any or all persons may be excluded” and “provide for residents of any such area who are excluded therefrom, such transportation, food, shelter, and other accommodations as may be necessary . . . to accomplish the purpose of this order.”

Though the text of EO 9066 does not contain the word “Japanese,” the intent and effect was the creation of a sweeping program to remove 120,000 Americans of Japanese descent from their homes in coastal California, Oregon, and Washington State in the name of national security. Though the language of the time called this an “evacuation” or “mass migration,” those affected were forced to leave their communities as the Federal government moved them to heavily-guarded camps in isolated areas hundreds of miles away.

Yosh Nakagawa was in fourth grade in February 1942. Like many other American children in his hometown of Seattle, he did not speak Japanese and was a Baptist, not Shinto or Buddhist. But he notes that even though he was in elementary school, “America thought I was a terrorist.” Over a period of weeks the United States government deported Japanese Americans from their neighborhoods. Seattle’s Japanese Baptist Church was boarded up and closed. In any case, there was no one left to attend Sunday services.

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A Brief Look at African American Soldiers in the Great War

By Matthew Margis

When the United States declared war on Germany in April 1917, President Woodrow Wilson undertook a massive propaganda campaign to expand support for the war.  He declared that, America would help make the world “safe for democracy.”  Democracy though, eluded an entire segment of American society who struggled with the realities of Jim Crow laws, legal segregation, and general racist attitudes.  African American citizens across the nation—especially in the American South—had little access to high-paying jobs, educational opportunities, and suffered from disenfranchisement.  Throughout American history, the military served as a prism through which to view larger social concepts, and the First World War was no exception.  The Marine Corps excluded blacks entirely, the Navy restricted their service to menial roles as cooks and stewards, and the Army remained racially segregated.[1]   Despite this, many black men remained eager to reinforce their status as American citizens and fight for their country—hoping this would translate to broader social equality.  By war’s end, roughly 370,000 African Americans served in some capacity.

In order to meet the war’s demands, the War Department reorganized the US Army into a new divisional structure, and established one all-black combat division—the 92nd Division (mostly as a way of appeasing civil rights activists).  This division was comprised mostly of draftees and a select number of black volunteers and African Americans already serving in the Regular Army.  Additionally, the Army created numerous all-black support companies who served in other divisions.  Secretary of War Newton D. Baker also approved the commissioning of black Army officers, and the War Department established an officer training school at Fort Des Moines, Iowa (though few of these officers rose above the junior officer ranks).  However, this arrangement left out the African American National Guard units from around the nation.  Under the new structure, Divisions 1 through 25 were Regular Army units, Divisions 26 through 74 were reserved for the National Guard, and any division above 75 were part of the National Army (draftees).  The War Department rearranged the National Guard by state and by need, and established a series of mostly regional divisions (26-41).  Any Guard unit “orphaned” by this new system became part of the 42nd Division, which Douglas MacArthur described as “stretching across the nation like a rainbow” because it contained elements from 26 states and territories, but none of these divisions included all-black units such as the 8th Illinois or 15th New York.  When the 15th New York asked to join the new 42nd Division, one high ranking official denied their admittance and said that, “black was not one of the colors of the rainbow.”[3]  In order to avoid inciting anger from black civil and political leaders, the Army War College suggested establishing a black National Guard division consisting of two combat brigades.

The new provisional division became the 93rd Division, and included black National Guardsmen from the old 15th New York (369th Regiment) and the old 8th Illinois (370th Regiment).  Additionally, the 371st Regiment consisted of Guardsmen from Washington DC, Maryland, Connecticut, Ohio, and Massachusetts, and the 372nd Regiment included drafted soldiers from South Carolina.[2]  With the inclusion of the 92nd and 93rd Divisions, the American Expeditionary Force (AEF) officially included two black combat divisions, but their paths moved in two different directions.  The New York guardsmen became the first American black regiment to go “over there”, and they arrived in Brest, France in late December 1917, after watching white Guard units leave for France as part of either the 27th or 42nd Divisions.  Overall though, the 93rd traveled to Europe in piecemeal fashion, and never fought together as a single element.  The Illinois guardsmen did not arrive until April 1918.  Furthermore, unlike the other Divisions of the AEF, General Pershing violated his own stance on amalgamation when he ceded control of the 93rd to the French army, who in turn, supplied the soldiers with helmets and arms.  In early 1918, the New York troopers assisted French General Henri Gourand in his “elastic defense strategy,” and later in the year the 370th and 372nd regiments fought under Marshall Ferdinand Foch during the Meuse-Argonne Offensive.  Additionally, the Illinois troops assisted the French during the Oise-Aisne Offensive just prior to the Armistice, where they earned the French Fourragère.[4]

In contrast to the 93rd, the nation’s other African American division did not arrive in France until the middle of 1918.  The 92nd Division took much longer to train and coalesce because they were comprised mostly of draftees without any military experience (and the War Department filled white units first).  Making matters more difficult, even after the 92nd reached full strength, the War Department refused to allow 25,000 black soldiers to train in a single location out of fear of potential violence with local populations (particularly in Southern training camps) and white soldiers.  Therefore, elements of the division trained for combat in locations scattered around the United States.[5]  The division began arriving in France in June 1918, when they were finally able to maneuver and train together as a unified division, though their artillery elements remained in the US.  Because the black officers trained at Fort Des Moines only studied infantry tactics, Army commanders argued that all artillery officers in the 92nd Division should be white.  This debate delayed the training of the 92nd’s artillery companies, and they did not join the rest of their division until late September and early October 1918.

Ultimately, both the 92nd and 93rd Divisions served admirably in combat.  Over 500 soldiers in the 93rd received the French Croix de Guerre (War Cross) and other high honors for gallantry in the face of the enemy, and every regiment received a French unit citation.  However, after the war, the US Army generally ignored the 93rd’s contributions to the war effort because it recorded that “the 93rd Division spent zero days in training in line, zero days in sector, and zero days in battle,” despite the fact that the division suffered over 520 soldiers killed and over 2,600 wounded throughout 1918.[6]  Eventually the US government reversed their position and awarded 75 distinguished service crosses to soldiers in the 93rd, as well as two posthumous Medals of Honor in 1991 and 2015 respectively.  Conversely, the soldiers in the 92nd saw much less combat time.  Though they began training in the trenches in mid-August, they remained in a reserve capacity when General Pershing began his grand, Meuse-Argonne Offensive.  By the end of October, the AEF had suffered heavy losses, and most of the reserve elements moved toward the front.  The 92nd Division began their advance in early November 1918.  Shortly thereafter, the Armistice ended the fighting, but the 92nd had suffered roughly 1,600 casualties (120 KIA).

Though members of both the 92nd and 93rd Divisions served valiantly on the front, the Wilson Administration refused to allow them to march alongside their white counterparts in official victory parades in France after the war.[7]  Their homecoming was also mixed.  For example, when the 369th returned to New York, they received a hero’s welcome and were a source of pride their community.  Their parade through Harlem was certainly a spectacle to behold.  Thousands of others though, returned to segregated communities, and despite serving their nation, Jim Crow laws denied them many of the rights associated with American democracy.[8]  In many ways, the experiences of black soldiers during the First World War did little to change their social status.  Black leaders such as W.E.B. DuBois continued to press for social change, but the “return to normalcy” of the 1920’s and the Depression in the 30’s did little to change social dynamics.  However, the experiences of black soldiers in World War I set the stage for the civil rights movement that emerged after the Second World War, when civil rights activists and black leaders ensured that established authorities would not continue to deny them civil liberties.  The military desegregated in 1948, and ultimately foreshadowed the larger desegregation movement that was about to begin.[9]


The photos above are available in the National Archives Catalog. Follow the Unwritten Record for more highlights from our special media holdings.



[1] Chad L. Williams, Torchbearers of Democracy: African American Soldiers in the World War I Era (Chapel Hill: The University of North Carolina Press, 2010), 6.

[2] Williams, Torchbearers of Democracy, 71.

[3] Arthur W. Little, From Harlem to the Rhine: The Story of New York’s Colored Volunteers (New York: Covici – Friede, 1936), 46-47.

[4] Frank E. Roberts, The American Foreign Legion: Black Soldiers of the 93rd in World War (Annapolis: Naval Institute Press, 2004).

[5] Williams, 81.

[6] Roberts, The American Foreign Legion.

[7] Eric Foner, The Story of American Freedom (New York: W.W. Norton and Company, 1998), 177-185.

[8] Arthur E. Barbeau and Florette Henri, The Unknown Soldiers: African-American Troops in World War I (Philadelphia: Temple University Press, 1974).

[9] Foner, The Story of American Freedom.

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“God Speed, John Glenn”

With the passing of former astronaut and U.S. Senator John Glenn on December 8, 2016, the country lost the last of the seven men who constituted the original astronaut team for the National Aeronautics and Space Administration (NASA). Glenn, Alan Shepherd, Virgil Grissom, Gordon Cooper, Scott Carpenter, Walter Schirra, and Donald Slayton were chosen to pilot the first U.S. manned space program, Project Mercury, in 1958, with all but Slayton taking turns in the one-person capsules between 1961 and 1963 (Slayton would later pilot a docking module for the Apollo-Soyuz Project in 1975).


Astronaut, John Glenn, in space suit seated in Mercury Capsule, is undergoing a flight simulation test. The first attempt to put a man into space by the U.S. aboard a Mercury Capsule will be launched atop a Redstone Rocket. This will be a sub-orbital trajectory shot down the Atlantic Missile Range. Local ID: 255-G-61-MR3-40

A Marine fighter pilot during World War II and the Korean War, Glenn was selected for the Mercury program in 1959 and would be the third of the seven original astronauts to fly, following Shepherd’s and Grissom’s suborbital flights. Officially known as Mercury-Atlas (MA) 6, the capsule was nicknamed “Friendship 7” by Glenn. The flight took place February 20, 1962, and lasted just over 4 hours and 55 minutes, with Glenn becoming the first American to orbit the Earth, circling the planet three times.

A film titled “Friendship 7” was produced by General Dynamics Corporation in 1962 for NASA detailing Glenn’s flight, including his pre-flight preparations and actual footage from within the capsule during the flight. It also includes scenes showing NASA tracking stations from around the world.


National Aeronautics and Space Administration. The Friendship 7 Mission: A Major Achievement and a Sign of More to Come. (

National Aeronautics and Space Administration. Profile of John Glenn. (

National Aeronautics and Space Administration. Friendship 7. (

National Aeronautics and Space Administration. 40th Anniversary of the Mercury 7: Donald K “Deke” Slayton. (

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Spotlight: Celebrating Black History Month

Photos for this blog post were selected and scanned with the assistance of Kaitlyn Crain Enriquez.

The United States celebrates Black History Month in February. First established as Negro History Week by African-American historian Carter G. Woodson in 1926, Black History Month was formally designated by president Gerald Ford in 1976:

“Freedom and the recognition of individual rights are what our Revolution was all about. They were ideals that inspired our fight for Independence: ideals that we have been striving to live up to ever since. Yet it took many years before ideals became a reality for black citizens.

The last quarter-century has finally witnessed significant strides in the full integration of black people into every area of national life. In celebrating Black History Month, we can take satisfaction from this recent progress in the realization of the ideals envisioned by our Founding Fathers. But, even more than this, we can seize the opportunity to honor the too-often neglected accomplishments of black Americans in every area of endeavor throughout our history.

I urge my fellow citizens to join me in tribute to Black History Month and the message of courage and perseverance it brings to all of us.”

Here, the Still Picture Branch has assembled photographs from the National Archives’ holdings that represent African American life and achievements over 130 years of American history. While the following photographic selections are by no means a comprehensive view of African American history, we have attempted to show a range of images that document the African American experience.

Nineteenth Century





A wide range of federal agencies are represented in these photos, including the National Park Service, the various branches of the military, the United States Department of Agriculture, the Women’s Bureau, NASA, the United States Information Agency, and the Environmental Protection Agency. To find out more about the images, search for the item number in our online catalog.

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