Before the National Archives held more than half a million reels of film, nearly 200,000 videos, and over 300,000 sound recordings originating from dozens of government agencies (and decades before the existence of the National Archives) Carl Louis Gregory was a motion picture cameraman dedicated to the evolution of the field. Staff identification card for … Continue reading Carl Louis Gregory, Founder of Film Preservation at NARA
Tag: cameraman
Spotlight: Elephants in the Archive, Eek!
While National Elephant Appreciation Day may not be officially recognized as a Federal Holiday, its upcoming celebration (September 22nd) provided an excuse for an expedition through our holdings in the Still Picture Branch. The search for elephants, as it is for all animals here in Still Picture, starts with an established finding aid specifically catered … Continue reading Spotlight: Elephants in the Archive, Eek!
Shooting World War I: The History of the Army Signal Corps Cameramen, 1917-1918
For the past two years, the National Archives Motion Picture Preservation Lab has been digitizing a series of Army Signal Corps films as part of a larger project to commemorate the centennial of World War I. Meanwhile, technicians from the Still Pictures Branch and the Digitization Division have scanned tens of thousands of Signal Corps … Continue reading Shooting World War I: The History of the Army Signal Corps Cameramen, 1917-1918
Universal News Presents “A Whirl with the Squirrels”
Squirrels have long been popular in American culture. In 1959 Jay Ward introduced us to Rocky the Flying Squirrel and today we have the Unbeatable Squirrel Girl and her squirrel friends. The Washington Post even has an annual squirrel photography contest. So it’s no surprise that in 1953 the producers of the Universal Newsreel series … Continue reading Universal News Presents “A Whirl with the Squirrels”
A Newsreel Cameraman’s View of D-Day
Jack Lieb went to Europe in 1943 with two movie cameras: He brought his 35mm black and white camera to film war coverage for Hearst's News of the Day newsreels and his 16mm home movie camera to shoot color film to show to his family back home. After the war, Lieb edited the color footage … Continue reading A Newsreel Cameraman’s View of D-Day