Today's post is by Criss Kovac. Criss is the supervisor of the National Archives' Motion Picture Preservation Lab. In honor of Veterans Day, we are proud to share the National Archives' digital restoration of John Huston’s Let There Be Light (Local Identifier: 111-M-1241), the groundbreaking film about the treatment for Post Traumatic Stress Disorder (PTSD) of … Continue reading The Preservation and Restoration of John Huston’s “Let There Be Light”
Tag: NARA
The Sailor and the Seagull: FMPU Veterans Animate Re-Enlistment Efforts
For the last two weeks, we have been sharing films of the First Motion Picture Unit. This week, we’ll take a look at an animated film produced for the Navy by former members of the FMPU. This post was written with Criss Kovac, supervisor of the Motion Picture Preservation Lab at the National Archives. Like … Continue reading The Sailor and the Seagull: FMPU Veterans Animate Re-Enlistment Efforts
Protecting Your Past–It’s What We Do Here: The Preservation and Restoration of The March
Today’s post is from Criss Kovac. Criss is the supervisor of the Motion Picture Preservation Lab, which is responsible for performing conservation and preservation work on motion picture records held across the National Archives. Recently, she completed a digital restoration of The March. The March, the James Blue film documenting the 1963 March on Washington for Jobs … Continue reading Protecting Your Past–It’s What We Do Here: The Preservation and Restoration of The March
Finding a Finding Aid: World War I
This week’s post is from Richard Green, an Archives Technician with the Motion Picture, Video and Recorded Sound Division of NARA's Research Services. Richard is enrolled in the History and Library Science (HiLS) dual-degree graduate program at the University of Maryland. The assassination of Franz Ferdinand in the summer of 1914 sparked the beginning of World War I. … Continue reading Finding a Finding Aid: World War I
Harmon Foundation film “The Negro and Art”
This week’s post is by Carrie Goeringer. Carrie came to the National Archives in 2000 to work in NARA’s Cartographic Branch, and since 2003, has worked as an archivist with NARA’s Motion Picture Branch. Before coming to NARA, Carrie worked for the Oklahoma Historical Society Photographic Archives for 8 years. She has a BA in … Continue reading Harmon Foundation film “The Negro and Art”
Don’t Walk Like a Man: Be the Best WAC that You Can Be
In addition to The Pleasure of Your Company, the Women’s Army Corps’ (WAC) Military Etiquette and Grooming series (1970) featured two more films, each more incredible than the last. Look Like a Winner opens with a male narrator intoning: “Yes, you’ve come a long way…no question about it. You have more to say these days about … Continue reading Don’t Walk Like a Man: Be the Best WAC that You Can Be
The Women’s Army Corps Requests “The Pleasure of Your Company”
The Navy film How to Succeed with Brunettes teaches male officers how to behave like gentlemen, but what were the military’s expectations for the many female recruits? Once again, staff in NARA’s Motion Picture Preservation Lab and Special Media’s Motion Picture, Sound, and Video Branch were able to find the answer in the large accession … Continue reading The Women’s Army Corps Requests “The Pleasure of Your Company”
New Video Series from NOAA Now in the National Archives Catalog
Archives Specialist Marcia Kolko reports that descriptions for nine small series of video recordings from Record Group 370, National Oceanographic and Atmospheric Administration (NOAA) have recently been uploaded to the National Archives Catalog The series document a range of NOAA surveys and projects, including documentation of an emergency response drill in the Florida Keys National Marine Sanctuary, images of … Continue reading New Video Series from NOAA Now in the National Archives Catalog
The Challenge of the Push-Pull Track
There are many sound systems that have been used for motion picture films over the years. Some of the earliest relied on sound recorded to a disc or cylinder that had to be played back in sync with the film. Even after optical soundtracks became the industry standard, there were multiple optical systems available. … Continue reading The Challenge of the Push-Pull Track
Digitization Activities
My first couple of blogs focused on born-digital and scanned images created by Federal agencies and accessioned to the Still Picture unit, but I’m now shifting gears and highlighting some of our in-house digitization activities. The main series I’m going to talk about can trace its roots back to 1974 when we received the first … Continue reading Digitization Activities