It’s 75 miles from Port Angeles to the City of Bremerton, Washington, the next stop on our NARA summer road trip. Our drive takes us past Discovery Bay and over the Hood Canal Bridge. We can see the Olympic Mountains in the West, prompting us to remember yesterday’s visit to Olympic National Park. As we … Continue reading Summer Road Trip: Maritime Matters in Bremerton and Seattle
We work on a lot of cartoons in the Motion Picture Preservation Lab. Some were made for military service members. Some were made to illustrate the dangers of drug use. But the most consistently surprising cartoons are the ones we find in the films of the United States Information Agency (USIA). During the Cold War … Continue reading Animatics and Anti-Communism: Payut Ngaokrachang Animates Hanuman for the USIA
We’ve written here before about the 2007 rescue of a treasure-trove of government films from a shuttered film laboratory. Archivists from the National Archives recovered many films produced across the Federal government so they could be preserved and made accessible to the public. You may be familiar with the anti-drug film Curious Alice, but I … Continue reading Falling Down an Archival Rabbit Hole: Following the Trail from Finished Film Back to the Research that Inspired It
One of our Motion Picture Preservation Lab staff identified a remarkable film in a recent accession of audiovisual material from the National Park Service (NPS). The film features amateur footage of George Washington Carver, the famed African American botanist and inventor who taught for decades at Tuskegee Institute (now Tuskegee University) in Alabama. During his … Continue reading Now Showing: George Washington Carver on Kodachrome
When scanning films in the National Archives Motion Picture Lab, we sometimes come across images that we want to learn more about. We recently transferred several reels of unedited footage depicting African American college students in various classroom settings. The posters on the wall indicated that the footage had been shot during wartime. The slates … Continue reading Stock Footage Spotlight: Historically Black Colleges and Universities in WWII
Take a look at the two movie screens in the photos below. Notice anything different? The screen in the color image, photographed in 1998, is much wider than that in the 1946 black-and-white image. Each screen has a different aspect ratio. Merriam-Webster defines motion picture aspect ratio as “the ratio of the width of a … Continue reading The Measure of a Screen: Motion Picture Aspect Ratios in the Archives
For those working with archival films, encountering film scratches is just part of the job. At the National Archives we care for films that range from pristine camera negatives with not a scratch to be seen, all the way to beat-up projection prints that look like they were rubbed with sandpaper. Scratches can be black … Continue reading Film Preservation 101: Scratch Hazards and Fixes
America stands unique in the world: the only country not founded on race but on a way, an ideal. Not in spite of but because of our polyglot background, we have had all the strength in the world. That is the American way. –President Ronald ReaganDecember 1945, in honor of Kazuo Masuda andAugust 10, 1988, at … Continue reading Fractured Ideals: Japanese American Internment through a Government Lens
You may remember our July 2016 post about the Women’s Reserve Camouflage Corps, made up of women artists who developed camouflage for use by American troops in Europe during World War I. The website Atlas Obscura also featured the story and photos in October 2016. The Women’s Reserve Camouflage Corps photos held by the National … Continue reading Hidden Women Update: WWI Camouflage in Action
The rumors would usually start at lunchtime. “Did you hear we’re watching a movie today?” The whispers and the excitement would grow during recess, and then came exclamations of joy and/or relief as we filed back into the classroom to find the projector set up. For the next twenty minutes (or longer with the inevitable … Continue reading Obsolete Instruction, or What to Do When Your St. Bernard Has a Hangover
